acrylic on panel
Several months ago, I was madly preparing for my exhibit OF the EARTH. I had to write an artist's statement early so that it could be used in publicity blurbs. In that statement I wrote: "...there is a sweet intersection between nature and human influence that fuels my passion." The statement (which is included in my last post OF the EARTH, August 15, 2013) truly reflects my modus operandi as an artist.
As August and the opening of the show approached, I was a little anxious about things. At night, I would select calming books to read. One that I reach for often over the years is Thomas Moore's, The Re-Enchantment of Everyday Life. A chapter caught my eye: Ecology's Home; where Moore says the following: "Enchantment arises on the threshold between human activity and Nature's presence." That struck me. Moore is describing the sweet intersection that feeds my art. He elaborates: "It is always a liminal phenomenon, a momentary relationship, made of the right arrangement of stars and planets and elaborated with art by human consciousness. Enchantment is nature's song heard by a sensitive human ear, and it is the crafted work of human hands reflecting their admiration of nature's geometries."
Moore provides an etymological break down of ecology; eco meaning home, in the broadest sense; and logy denoting mystery and even the divine. Putting those together, he suggests that ecology is "an infinitely deep and mysterious notion of home." This is also a way that I would like to think about my artwork.
Coming up next: Rich Ecology
"Ecology's Home" Thomas Moore, The Re-Enchantment of Everyday Life (New York: HarperCollins Publishers, 1997) pp. 44, 45.