Showing posts with label Dorian mode. Show all posts
Showing posts with label Dorian mode. Show all posts

Wednesday, September 9, 2015

Dorian Polarity

Dorian Polarity, 7 x 5", mixed media
photographed in shadows
Continuing with an exploration of the relationship between musical modes and the energy centers, or chakras of the human body; this post considers how the Dorian mode relates to the Polarity chakra. The Dorian mode, when played with out flats or sharps begins on D. The tone of D vibrates at the same frequency as orange in the spectrum, according to Kay Gardner, in her book Sounding the Inner Landscape. Orange is absorbed by the Polarity chakra and electric blue is transmitted by the second chakra. The vibrational frequency of this electric blue, or indigo, is the same as the tone of A, which is the fifth of D.
    I would like to pause here and note some patterns which are universally appreciated. The first is the beautiful quality of notes, separated by fifths when played together. Our ear understands this relationship so well, that it is used for tuning. The colors which vibrate at the same frequencies as the notes related by fifths are complementary. This means that they are opposite each other on the color wheel (e.g. red is opposite green, yellow opposite violet, and blue opposite orange). Interesting...

     What I personally love about the Dorian mode is that it is a gentle minor mode and much of its character comes from the interplay between the d minor chord and C major chord (think of Scarborough Fare). It is just so pleasing to traverse between those worlds! It makes me think of walking through the woods with dappled sunlight; shadow and light.

     The second chakra, the Polarity chakra is also about combining shadow and light. Our conscious world is evident in our Root chakra and our Polarity chakra reveals what is hidden in the shadows: our unconsciousness. Our whole being exists in this energy center. In his book Archetypal Chakras, Arnold Bittlinger refers to Jung's interpretation of the chakras as the path to individuation. Our unconscious is revealed through our shadow side and projections. This shadow side links to the d minor of the Dorian mode.

In the Dorian Wood, 5 x 7", watercolor/Neocolor II
      My illustration for the Dorian mode was of the woods; a sort of magical wood with bright and shadowy places. No doubt I was under the influence of Joanna Mell and her description of the Dorian mode in her book Modal Musings. The forest seems like such an appropriate visual for both the Dorian mode and the Polarity chakra with its hidden and exposed qualities.

     I'll include an image of Dorian Polarity without the shadow of the blinds (it all seems so appropriate!) I hope you are enjoying this exploration of the relationship between musical modes and the chakras.
Dorian Polarity, 7 x 5", mixed media





Thursday, July 16, 2015

Art a la Mode

Iconic Ionian


In the Dorian Wood



Phrygian Fire and Depth


Lydian Lark











Mellifluous Mixolydian




Lent in Aeolian Mode













Lunar Locrian



     On Friday, July 17, 2015 my exhibit, Recollection will have its opening reception in conjunction with Lexington's Gallery Hop. Recollection is my DIY retrospective of the last 20 years of painting. My most recent work takes a little different turn; I am creating paintings inspired by musical modes. I am studying modes in my pursuit of becoming a certified healthcare musician through the Therapy Harp Training Program. I thought it would be fun to demonstrate the modes on my little Rees harp. During the reception, from 5 - 8 pm, I will from time to time give into this inclination. I hope you will join me at the MS Rezny Studio/Gallery, 903 Manchester Street, in the Distillery District of Lexington. You can tell me if my representations of the modes are on target!

   I will also have my harp on hand for the pick-up and drop-off day, noon - 3 pm, August 8th. This will be the last day for work for notBIG(3) to be delivered and the last day for Recollection. So it can be a pick-up date should you be a new owner of a Recollection painting. I will send you off with a song, a la mode!

Thursday, July 9, 2015

Recollecting Twenty Years of Painting


Looking back on 20 years:  Echo, 14 x 22", watercolor/pastel on paper
Recollection
paintings by Kathy Rees Johnson
MS Rezny Studio/Gallery
903 Manchester Street
Distillery District
Lexington, Kentucky
7-7-15 to 8-8-15


Recollection is my DIY retrospective exhibit and thus it gives me the opportunity to look back (and forward!) at my work as an artist. The act of organizing the show at the MS Rezny gallery has distinguished three eras in my artistic career:

1) Beginning, falling in love with the landscape:  My first painting in 1995 (At the Shore, below) was a landscape, even though, at the time, I found landscapes rather difficult.  That same year, I began taking annual pastel workshops with Fay Moore. For the third workshop, we focused on landscapes. The combination of using an underpainting with pastel and the pastoral subject matter lit a fire under me. Painting the landscape became a natural! This joyful rendering also had the effect of improving my eye, helping me to appreciate the landscape. It was also a way to remember favorite places. One such favorite place is Lyme Park, outside of Manchester, UK, represented above in my painting, Echo. 

The first painting: At the Shore, 15 x 30", acrylic on canvas
2) Strengthening family links:  Almost a decade into my painting career, I began making paintings from old family photographs.  An odd thing happened shortly after my paternal grandmother died; my father and grandfather arrived at my home with boxes of old family photographs. I did not question why they brought them to me, but I'm glad they did, because a few short years later, my father died in a tractor accident. As it turned out, that year, the theme of the annual pastel workshop was "memories". I took in photos from the family stash and realized this was a wonderful way to meet and remember my paternal ancestors.  While working on this series, my mother died and I knew that the same work could help me process my feelings around that loss, as well.


Outstanding in Their Field, 14 x 14", watercolor/pastel on paper

3) The future; sating a longing while embracing the present and past:  Making paintings from old family photographs certainly gave me an understanding that life is fleeting. We are here but a short time in this particular form. As I was approaching 60, I developed what I call my autumnal longing. There was a desire to do something new, see new sights, but also to be totally at home. How to do this? Well, I had harps that I kept strung and tuned. I realized that I could create soundscapes that could take me anywhere I wanted to go. Also, I could use music in a healing way. I enrolled in the Therapy Harp Training Program and became immersed and entranced with musical modes. This lead me to the exercise of illustrating the modes (please see my previous blogs), combining my love of creating images and making music. The final era is represented by the seven musical modes.

Going up: Mellifluous Mixolydian, Lent in Aeolian Mode, Lunar Locrian


I hope you can join me on this retrospective journey at MS Rezny Studio/Gallery! The opening reception is Friday, July 17th, 5 - 8 pm (Lexington's Gallery Hop night). On Saturdays, there will be Recollection Sessions. These are opportunities for you to come play with watercolor/pastel to create your own Recollection. All the materials are provided. There is a $25 materials fee. Please bring any photo references you might want to use. Recollection Sessions are: July 11, 18 and 25 and August 1st. Looking forward to seeing you!

Friday, January 23, 2015

In the Dorian Wood

In the Dorian Wood, 5 x 7", watercolor/Neocolor II
I have begun a shift in my endeavors, working toward a focus on creating in a way that serves to comfort and heal in today's world. A big part of this shift involves learning how to make music that helps. Therefore, I am becoming familiar with musical modes--something I had not heard of before--and I am captivated! The enchantment comes from seeing how the same raw material can be rearranged and a totally different feeling emerges. While I am delving into these modes on my harp, landscapes begin to emerge. I thought it would be fun to make little paintings of how the different modes appear to me.
      My first posting will be in the Dorian mode. It is one step up from the starting point, the Ionian mode, which would be C major (or any major).  The Dorian mode has a magical quality that reminds me of being in the woods--my favorite place!